{"version":"1.0","provider_name":"Service \/ FPMS - G\u00e9nie Architectural et Urbain","provider_url":"https:\/\/web.umons.ac.be\/archi","author_name":"Geoffrey Hismans","author_url":"https:\/\/web.umons.ac.be\/archi\/author\/ghismans\/","title":"Patrimoine & authenticit\u00e9 - Service \/ FPMS - G\u00e9nie Architectural et Urbain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Cd9tcypMCz\"><a href=\"https:\/\/web.umons.ac.be\/archi\/2020\/05\/05\/patrimoine-authenticite\/\">Patrimoine &#038; authenticit\u00e9<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/web.umons.ac.be\/archi\/2020\/05\/05\/patrimoine-authenticite\/embed\/#?secret=Cd9tcypMCz\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Patrimoine &#038; authenticit\u00e9\u00a0\u00bb &#8212; Service \/ FPMS - G\u00e9nie Architectural et Urbain\" data-secret=\"Cd9tcypMCz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/web.umons.ac.be\/archi\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/web.umons.ac.be\/app\/uploads\/sites\/138\/2023\/03\/65859124_6126511510352_1293467699413778432_n.png","thumbnail_width":596,"thumbnail_height":260,"description":"Qu\u2019elle soit qualifi\u00e9e de conservation, restauration ou r\u00e9habilitation, toute intervention architecturale dans l\u2019existant se doit d\u2019\u00e9tablir un dialogue avec l\u2019authenticit\u00e9 de l\u2019oeuvre. Pour le sp\u00e9cialiste, cette qu\u00eate de v\u00e9rit\u00e9 s\u2019apparente \u00e0 d\u00e9finir le geste le plus juste qui respectera l\u2019oeuvre d\u2019art et d\u2019histoire. Sur le continent europ\u00e9en, depuis les th\u00e9ories de John Ruskin au XIXe [&hellip;]"}