{"version":"1.0","provider_name":"Service \/ FPMS - Information, Signal, et Intelligence Artificielle","provider_url":"https:\/\/web.umons.ac.be\/isia","author_name":"Hugo Bohy","author_url":"https:\/\/web.umons.ac.be\/isia\/author\/hbohy\/","title":"Lo\u00efc Reboursi\u00e8re is presenting a paper at the Sound And Music Computing Conference 2022 - Service \/ FPMS - Information, Signal, et Intelligence Artificielle","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cuam0czY6f\"><a href=\"https:\/\/web.umons.ac.be\/isia\/en\/publication220601\/\">Lo\u00efc Reboursi\u00e8re is presenting a paper at the Sound And Music Computing Conference 2022<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/web.umons.ac.be\/isia\/en\/publication220601\/embed\/#?secret=cuam0czY6f\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Lo\u00efc Reboursi\u00e8re is presenting a paper at the Sound And Music Computing Conference 2022\u00a0\u00bb &#8212; Service \/ FPMS - Information, Signal, et Intelligence Artificielle\" data-secret=\"cuam0czY6f\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/web.umons.ac.be\/isia\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/web.umons.ac.be\/app\/uploads\/sites\/58\/2022\/06\/thumbnail_picture-1.png","thumbnail_width":990,"thumbnail_height":1280,"description":"Lo\u00efc Reboursi\u00e8re is presenting the paper \u00ab Guitar Improvisations with Hexaphonic Multieffect (GIHME) Dataset and Practice Analysis\u201d, authored by Lo\u00efc Reboursi\u00e8re, Thierry Dutoit, Vincent Tiffon at the Sound And Music Computing Conference 2022, Saint-\u00c9tienne, France (https:\/\/zenodo.org\/record\/6573698). The paper describes the dataset he recorded during his Phd thesis on hexaphonic guitar and a first practice analysis based on interviews of the guitarists."}